Author: Tina Weymouth

Quotes

Many Japanese painters and calligraphers would change their names intentionally to keep their relationship to the art always fresh. This way, others' expectations can be avoided.

Many Japanese painters and calligraphers would change their names intentionally to keep their relationship to the art always fresh. This way, others' expectations can be avoided.

- Tina Weymouth

Make it, not make it? What's the difference? Music is a language, it's a dance of life, and it can be a part of your life without being something that earns.

Make it, not make it? What's the difference? Music is a language, it's a dance of life, and it can be a part of your life without being something that earns.

- Tina Weymouth

We don't really have more than acouple of solos. It's just the way our music is put together.

We don't really have more than acouple of solos. It's just the way our music is put together.

- Tina Weymouth

I would really love to work with Paul McCartney. Isn't that arrogant?

I would really love to work with Paul McCartney. Isn't that arrogant?

- Tina Weymouth

It's a cruel, heartless world out there in commercial rock 'n' roll, and when you take as much time off as we did, eight years, booking agents don't know if you'll draw.

It's a cruel, heartless world out there in commercial rock 'n' roll, and when you take as much time off as we did, eight years, booking agents don't know if you'll draw.

- Tina Weymouth

You learn just as much from your failures. Sometimes you love your failures even more.

You learn just as much from your failures. Sometimes you love your failures even more.

- Tina Weymouth

I don't want to wreck my voice. I love to concentrate on playing the bass and keeping it very rock-solid. If I were singing, I would have blown out my voice.

I don't want to wreck my voice. I love to concentrate on playing the bass and keeping it very rock-solid. If I were singing, I would have blown out my voice.

- Tina Weymouth

When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those.

When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those.

- Tina Weymouth

I have respect for those who make money at art and do it well and smartly, because that commercial aspect keeps the world going and running, in a sense.

I have respect for those who make money at art and do it well and smartly, because that commercial aspect keeps the world going and running, in a sense.

- Tina Weymouth

Similar Authors: